In western music, a China cymbal (or Chinese cymbal) is a distinct type of crash cymbal designed to produce a bright, crisp, and explosive tone that has brought it the nickname trash cymbal. The name "China cymbal" comes from its shape, which is similar to that of the Chinese Bo. Such cymbals are most frequently mounted upside down on cymbal stands, allowing for them to be more easily struck and for a better sound.

China-type cymbals are common in various kinds of rock music, particularly heavy metal and thrash metal. They are also frequently used in jazz fusion, Latin music, and Brazilian music, especially in arrangements with elaborate drum solos. In Latin and some other music styles, China cymbals are usually played in conjunction with other percussion instruments instead of a drum kit, such as timbales, octobans, or the surdo. China cymbals may also be used for conventional jazz, often played with mallets or brushes to achieve a softer sound resembling that of a "dark crash" cymbal.

Occasionally these cymbals are featured in orchestral works; examples using a suspended cymbal include Olivier Messiaen's Turangalîla-Symphonie and Edgard Varèse's Ionisation.